While Rauschenberg’s
paintings are featured in famous museums all over
the world, his “Booster” is much closer to Albion
College.
In fact, it’s normally on the
campus.
“It is an amazing gift to have such
wonderful works available for students, faculty and
other scholars to study and enjoy,” said Bille
Wickre, art department chair. “The works that I have
chosen for my office relate to my research interests
but also give me a great deal of pleasure.”
The Albion College permanent art
collection is comprised of over 3,000 prints,
spanning from 15th century manuscripts to modern and
contemporary artists, including Rembrandt, Dali,
Picasso, Whistler and Monet.
While the collection is not
currently at Albion, Bobbitt plans to have the
collection back by November 2008.
The collection is currently at the
Chicago Conservation Center being restored from the
steam damage that occurred June 28, 2006, causing
$700,000 in damage.
The permanent art collection was
started by Vernon Bobbitt, founder of the art
department, in 1947.
Bobbitt collected prints through the
40s, 50s and 60s, during the time when the prints
weren’t that expensive. Bobbitt got most of the
prints under $100, and definitely under $1000,
according to Sue Havens, art department secretary.
According to Wickre, there are many factors that
influence values, including the condition of the
work, its history and the current market interest.
“We have a wide variety of art work
and artifacts from all over the world, each of them
valuable for different reasons,” Wickre said. “Some
have sentimental values for collectors or viewers.
Others have monetary value because they are rare,
date from an early period, are produced by
well-known artists, or if they are prints, because
they are part of a small edition.”
According to Wickre, she is
extremely grateful to supporters and donors who
helped to build the collection and to assist the
faculty in buying works of art.
“Everyone in the department worries
about theft and damage, but we have a good security
system with alarms on the doors, a constant video
view of the galleries and trained monitors who
oversee the galleries during hours we are open,”
Wickre said.
According to the Chicago
Conservation Center, they are one of the nation’s
leading private art restoration and conservation
laboratories.
Prints from the college’s collection
have been featured in shows hosted by the Detroit
Institute of Arts.
“One of the neatest things about
this collection is that it’s available to the
students,” Havens said. According to Havens,
professors have used the collection for their work
as well.
Ian MacInnes has used 15th century
manuscripts in his renaissance class and Wickre uses
prints in her art history classes Havens said.
According to Wickre, a student may
view a Picasso, or any other artist in our
collection when they aren’t off being restored.
Students can arrange to see the art
by contacting the department of art and art history
and making an appointment for the piece to be
brought out so he or she can look at it.
“Our print collection is often
displayed in the Martha Dickinson print gallery on
the main floor of Bobbitt,” Wickre said. “Other work
usually can be seen in the glass cases in the
Bobbitt lobby.”