Editor Insight: Despite the summer sun, don’t get lost at the multiplexes And as we move deeper into this season of the sun, I find it
hard to argue with him, for the months of summer are not only marked by the
humid temperatures, but the return of the Hollywood blockbuster: an age-old
tradition where all Americans are force-fed commercial after commercial for the
"next big thing," "the funniest movie of the summer," "the action event of the
summer" or the "insert clever tagline ending with summer." And while blockbusters themselves aren’t necessarily a bad
thing, I feel it’s important that a year’s worth of education not go to waste
catching that repeat showing of Mission Impossible 3. So here are four movies this summer that won’t ask you to
tune in and turn off your mind. May 5 "Art School Confidential" The comic book movie this summer that you should be paying
attention to, the film is directed by Terry Zwigoff ("Bad Santa," "Ghost World")
and is the second film he’s adapted from the work of comic book writer and
artist Dan Clowe. The plot revolves around a young man pursuing his dream of
becoming a great artist (emphasis on the "t"), his attending art school and
being confronted with unbelievers, an unknown "strangler," and pursuing his
infatuation for another student. The film follows Zwigoff’s work in the realm of understated
black comedy and how can one not enjoy John Malkovich playing a professor who
inspires his students with lines like, "Only one out of 100 of you will ever
make a living as an artist." May 26 "An Inconvenient Truth" Though its trailer overstates the message a bit, this
documentary focused on global warming should be an incredibly important film for
both those who are educated and uneducated on the topic. The documentary follows Al Gore as he presents to an audience
facts regarding what’s happening to the earth and how mankind is slowly
destroying the world we live in, while presenting possible scenarios of what
could happen if we don’t change our habits. Though it may be easy for some to feel put off due to Gore’s
political ties (and the unnecessary potshot at his run for presidency in the
beginning of the trailer), the film seeks not to take sides but rather inform
its viewers of what we’re doing to the world and how we need to change the way
we live our day-to-day lives. Some critics have called the documentary the reason Gore was
put on this earth, and I think everyone owes it to themselves to become better
informed regarding global warming. July 7 "A Scanner Darkly" "Bad News Bears" withstanding, Richard Linklater is probably
one of the most interesting and versatile directors of the last 15 years. His
work ranges from classics like "Dazed and Confused" to mainstream fare like "The
School of Rock," and with each new film he grows more confident as a filmmaker. In this case, Linklater may have made the closest adaptation
to a Philip K. Dick novel ever done, utilizing the animation techniques used in
his film "A Waking Life." The story, set seven years from now where everything you do
is recorded and watched in the name of national security, follows a government
recruit who doesn’t know what’s real and where his imagination begins. And the
film looks to be something of the mind-blowing persuasion. August 18 "The Science of Sleep" Michel Gondry, the film’s director, is a strange cat—there’s
no way of getting around it. He’s thought up bizarre videos for bands like the
Foo Fighters and the White Stripes and directed films such as "Eternal Sunshine
of a Spotless Mind," or more recently, the documentary, "Dave Chappelle’s Block
Party." But though he may be different, his eccentricity is welcome
in a season of by-the-number films. "The Science of Sleep" centers around a man held captive in
his dreams. With its use of stop motion animation for the dream sequences and
its narrative shifting back and forth through dreams and waking life—without
giving the viewer an idea of what’s real—it’ll hopefully prove to be one of the
more challenging movies of the summer.
April 28, 2006
Michael P. Melvin
Managing Editor
At a screening of his film "The Big Chill" in Ann Arbor
last week, Laurence Kasdam, writer of such blockbusters as "The Empire Strikes
Back" and "Raiders of the Lost Ark," claimed that "Hollywood no longer
has an interest in making interesting films."