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Dr. Andrew Bishop - Assistant Professor
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| Office: | 111, Goodrich Chapel | |
| Phone: | 517/629-0481 | |
| E-mail: | abishop@albion.edu | |
| Web: | www.andrewbishop.net |
Andrew Bishop is an active composer, improviser, saxophonist, and clarinetist in highly diversified musical idioms. He earned five degrees in music including a Doctor of Musical Arts (Composition) and two Master of Music degrees (Composition and Improvisation) from the University of Michigan along with two Bachelor of Music degrees from Wichita State University (Theory-Composition and Saxophone). He studied composition with William Albright, William Bolcom, Evan Chambers, Michael Daugherty, and Walter Mays; jazz and improvised music with Jerry Bergonzi, Tom Fowler, Jimmy Guiffre, Dave Liebman, Roscoe Mitchell, Craig Owens, Ellen Rowe, Ed Sarath, and Reggie Workman; and saxophone with Donald Sinta and Jean Lansing. He is currently an Assistant Professor of Music Theory, History, Composition, and Jazz at Albion College and received the Arthur Andersen New Professor of the Year Award in 2002.
He has received over 20 commissions from professional organizations and universities, numerous residencies, and recognition and awards from the American Society of Composers, Authors, and Publishers (ASCAP), The Chicago Symphony Orchestra, the Hewlett-Melon Foundation, and a nomination from the American Academy of Arts and Letters. His orchestral composition "Crooning" was recorded by the Albany Symphony Orchestra on Two American Piano Concertos (Albany Records) featuring pianists Ursula Oppens and Ian Hobson. He has also completed composition and arranging projects for Matt Wilson, Steve Houghton, and is currently working on a chamber music project for saxophonist Dave Liebman. Of his diverse abilities, Dave Lynch of All Music Guide writes: "A composer of contemporary orchestral and chamber music, Bishop combines a jazzman's fire and flow with a rigorous compositional sensibility, resulting in a potent and highly satisfying blend."
As a composer and improviser Bishop’s music seeks to find the balance of these two forms of expression. His debut recording as a leader, Time and Imaginary Time (Envoi Recordings)—with drummer Gerald Cleaver and bassist Tim Flood—derives its title and inspiration from the physics principles and uses a melodic fragment as an agent of variation to bind the divergent works. Donald Elfman of All About Jazz-New York writes: "This recording is a free-form, freewheeling delight. It's new music from a piano-less group, but the spirit is so playful, the soundscapes are so simple and rich, and the playing is so accomplished and together, that this dense and complicated_ new music falls richly and beautifully on the ears." Andrew Bishop’s Hank Williams Project (Envoi Recordings) draws on Bishop’s Midwestern roots with works that range from original compositions that elicit the moods and textures of country music and the lonesome landscapes of the great plains; and re-compositions and arrangements of Williams’ music. W. Kim Heron of the Detroit Metro Times gave it an “A+” writing: "Hear that lonesome postmodern whippoorwill? Bishop makes it sound utterly natural to take liberties with the bard of the country highway. Bishop alternately plays Williams tunes (and originals inspired by him) for laughs and for angst; he jazzes things up and slows them down to Williams-haunted dirges."
As a performer, Bishop in the words of Nate Chinen of the New York Times is “happily pinballed between the supposed poles of tradition and experimentation.” He has performed with Gerri Allen, Reid Anderson, Greg Bendian, Karl Berger, Sandip Burman, Kenny Burrell, Eugene Chadbourne, Ray Charles, Gerald Cleaver, Drew Gress, Jerry Hahn, John Lindberg, Chris Lightcap, The Either Orchestra, Matt Maneri, The Manhattan Transfer, Tony Malaby, Ben Monder, Jeremy Pelt, Hank Roberts, Jacob Sacks, Craig Taborn, Clark Terry, Ben Waltzer, Matt Wilson, and John Zorn among others. He leads a number of his own groups including his trio Bishop/Cleaver/Flood and the avant-Americana/Chamber ensemble The Hank Williams Project. His current associations as a sideman included Gerald Cleaver's Violet Hour, The Ellen Rowe Quartet, the Tad Weed Freedom Ensemble, and Bottomed Out with guitarist and composer Ryan Mackstaller. Bishop has recorded over 30 compact discs as a sideman and his performance with the Ellen Rowe Quartet at the 2003 San Jose Jazz Festival was broadcasted on NPR's Jazzset with Dee Dee Bridgewater.