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Kayla Kiley/The Pleiad
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The cast of "Fiddler on the Roof" vibrantly danced around the stage while
singing the show’s signature song "L’chai-im" during practice Thursday night.
Though much of the routine seemed spontaneous, each step had been closely
calculated.
"We’ve worked hard to keep the choreography culturally correct," said Kristy
Clement, Rockford senior. "Unlike most shows, ‘Fiddler on the Roof’ came with a
dance manual."
Focused around a Jewish shtetl [town] in 1905 during the Russian
tsarist era, the characters of "Fiddler on the Roof" are faced with the winds of
change against their Old World lifestyle and traditions.
Scheduled to run Feb. 28 through March 3, "Fiddler on the Roof" was chosen by
Albion’s play selection committee for its "wonderful roles and musical
contrast," according to Amanda Dekker, Northville junior and assistant director.
Musically, the show focuses on some traditional Jewish cultural songs and
melodies.
Many members of the cast and crew have been working closely with Hillel, a
campus group centered on Judaism and its traditions, to make sure everything in
the show is as realistic as possible.
"It’s really interesting to learn about the Jewish faith and culture through
‘Fiddler on the Roof,’" said Kent Wood, Traverse City senior, who plays the role
of Perchik. "The cast and directors have worked really hard to make as many
parts culturally accurate, but especially the Sabbath prayer, dinner and the
wedding [in the musical]."
Aside from striving for cultural accuracy, "Fiddler
on the Roof" has one of the biggest casts in Albion history, with 41 actors
total, including two faculty members and three children between the ages of 10
and 13.
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Kayla Kiley/The Pleiad |
"There are very few musicals that have the depth and power that this
possesses in its straightforward, no tricks, no gimmicks style. It has such a
universal human message," said John King, Albion music professor, who plays
Lazar Wolf.
Sarah Schramm, Troy sophomore and stage manager, particularly enjoyed working
with the faculty members in the cast, Robert Starko, professor of theatre and
King.
"It’s a great opportunity to work with both professors," Schramm said. "Starko,
he really pulls you up with not only his acting but his level of professionalism
as well."
The youngest cast members have also learned more than just dance moves
throughout the play’s production.
"It’s hard to learn all the dancing, staging, singing and lines, but it’s so
fun to come and be here!" said Hanae Weber who plays the role of Shprintze.
Miya Dunham, age 10, who plays the role of a villager, concurred. "I love
doing the musical because everyone is so nice and lots of the college people act
like little kids too."
But the diverse cast has faced their share of challenges.
Because of the school calendar this semester, the cast has only five weeks of
rehearsal time before the curtain is set to rise. Many members of the cast see
this as quite a challenge especially since auditions just took place Jan. 22
through 24.
"The shorter production period definitely makes it more difficult, but the
cast is very dedicated, and I know we’ll get it done and do great," said Lauren
Perry, Westland sophomore, who plays the part of Yente.
More difficult than general plays, musicals demand more blocking,
choreography and rehearsal.
"The styles of acting are different," said Amanda Barnet, Ann Arbor
sophomore. "The rehearsal process for a musical is incredibly complex and
difficult. You need to rehearse acting, dancing and singing [as] a musical has
more physical work within the show."